Part 2 Contributors


Elena Karina Byrne
liz gonzález
Grant Hier
Lois P. Jones
Ron Koertge
Glenna Luschei
Rooja Mohassessy
Susan Rogers
Patty Seyburn
Maw Shein Win
Kim Shuck
Lynne Thompson
Carine Topal
Cecilia Woloch

Part 1 Contributors

Rae Armantrout
Bart Edelman
David Garyan
Suzanne Lummis
Glenna Luschei
Bill Mohr
D. A. Powell
Amy Uyematsu
Paul Vangelisti
Charles Harper Webb
Bruce Willard
Gail Wronsky

Part 3 Contributors

Michelle Bitting
Laurel Ann Bogen
Laure-Anne Bosselaar
Lucille Lang Day
Corrinne Clegg Hales
Marsha De La O
Charles Jensen
Eloise Klein Healy
Glenna Luschei
Clint Margrave
Henry Morro
Alexis Rhone Fancher
Phil Taggart
David L. Ulin
Jonathan Yungkans
Lorene Zarou-Zouzounis

Part 4 Contributors

Tony Barnstone
Willis Barnstone
Ellen Bass
Christopher Buckley
Neeli Cherkovski
Boris Dralyuk
Alicia Elkort
Mary Fitzpatrick
Michael C. Ford
Kate Gale
Frank X. Gaspar
Dana Gioia
Shotsie Gorman
S.A. Griffin
Donna Hilbert
Brenda Hillman
Glenna Luschei
Phoebe MacAdams
devorah major
Clive Matson
K. Silem Mohammad
Rusty Morrison
Harry Northup
Holly Prado Northup - In Memoriam
Cathie Sandstrom
Shelley Scott - In Memoriam
Daniel Shapiro
Mike Sonksen
Pam Ward
Sholeh Wolpe
Gary Young
Mariano Zaro

Part 5 Contributors

Millicent Borges Accardi
Kim Addonizio
Marjorie R. Becker
Jacqueline Berger
John Brandi
James Cagney
Carol Moldaw
Kosrof Chantikian
Brendan Constantine
James Cushing
Kim Dower
David Garyan
Valentina Gnup
Troy Jollimore
Judy Juanita
Paul Lieber
Rick Lupert
Glenna Luschei
Sarah Maclay
Jim Natal
Judy Pacht
Connie Post
Jeremy Radin
Luis J. Rodriguez
Gary Soto
Cole Swensen
Arthur Sze
Charles Upton
Scott Wannberg (In Memoriam)

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Click to enlarge picture Patty Seyburn
Patty Seyburn
Californian Poets Part 2: Five Poems
Patty Seyburn



In My Alternate Reality

My left meniscus shows no sign of weakness
I act more than I feel
and seal my words with deeds
No one begins a claim with “as it were”
though people use the subjunctive correctly
and since cruelty must exist, it lives
only in the tines of a fork
kept under lock and key by a female panda
No one argues with her
Pleasure has a less pretentious name
and the man playing Ol’ Man River on steel drum
on the subway platform at 72 Street –
I remember him, I get
to tell him, I
remember you.

In the Optative Mode

you hope. That is the job.
You may or may not believe
all things tend toward ultimate good.
Then, you would be an Agathist.
I like that crowd. They are not
too good-looking nor do they think

all things for the best.
In the optative mode,
an orrery, which shows
the relative positions of planets and moon,
heliocentric, allows us to imagine
ourselves in the sky

with Deus Absconditus,
who is slightly better company
than Deus Otiosus. The first hidden
to us (by intention); the other
idle, tired, retired, willing
to be supplanted.

My money’s on the hidden,
(though I do not like the impulse)
because you can always choose
to be found. The other has given up
and I can’t work with a god
who has surrendered her claim.


I don’t have to pee and am not cold
My kids both asleep in their firm beds
My husband snores my earplugs sigh
and You woke me up an hour early
Modeh ani, Modeh ani
My soul tired of wandering, time to come home

Up with the bankers and brokers back east
Up with coyotes from canyon adjacent
Up with the troubled, the reveler, baker
You woke me up very early indeed
Have You something pressing that only me
And my soul can accomplish before the day?

I see that the shadows needed attention
I see that the nursery rhymes needed rewriting
The silences absences needed recording
You thought that I needed an extra hour
And You tired of hiding, I know You are hiding, You
Do not have to pretend with me

Ghost Flower

In search of an idyll
          a wander
en route to Maidenhair Falls via Hellhole Canyon
                                        boulders and dry waterfalls.

                                        These are what they seem.

You may also find Mohavea Confertiflora
          a ghost flower
which looks just like Mentzelia Involucrate
                                        Sand Blazing Star:

                                        five bracts, five sepals, five cream yellow petals –

          paper with a burned edge –
          an invitation – and serrated leaves.

          The Mohavea mimics the Mentzelia,
          does not want to be the Mentzelia.

The former enacts
          no exchange of goods and services,
produces no nectar to attract
                                        unsuspecting bugs, who come

                                        to pollinate.

The savvy imposter relies on its looks.
          Insects visit, fertilize and receive
no reward. You could say the fake flora
                                        provides beauty –

                                        I do not think the tricked bugs

          traveling through Little Surprise Canyon care
          about that, their short lives

          a study in survival
          but without consciousness perhaps

                                        it’s not so bad.

Banana Asana

Less comedic than the name, the position
asks body to bow like the curved part of the weapon
not the taut string

asks body to bow more than the lightly curved
rod with horsehair stretched
asks body to bow like the arc of certain letters

not bow as in bow down, not bow
as in the front of a boat
beginning an epic voyage

not bow as a child tying her shoes
with loops and a knot, the aglet’s stiff conviction
holding her efforts in place

And not bough as in the hazardous
branch of the nursery rhyme, though perhaps some affinity
with the golden bough

in Turner’s painting, the sacred grove where one tree
grew day and night
and one might say, don’t they all?

and studies say they do (circadian rhythms).
This pose cannot be done
asleep, you must be awake even as you think of the fruit

you imitate, stimulating the body’s meridians,
energy conduits ideally
clear and open. Think half of a giant circle drawn

around the earth, North to South Poles,
contour like the obdurate willow.
Think of the moon’s phases, the gentler side

of a waning gibbous or waxing crescent
bending to and into something even
if you know not what.